There is a stillness in Mark Tweedie’s paintings. He paints thinly, using muted colour and a restricted range of imagery. Currently he is painting family photographs, and in recent years the work has become, “even more personal – I didn’t think it was possible. I seem to be deciphering the past, particularly the early years”. His series of brides, titled A cautionary tale 2018, are paintings of a family member on her wedding day, inspired by an old Super 8 film. They are studies in light and dark; the bride’s face is hidden, and the composition confines her within its darkness.
A residency in the Pilbara during 2017 generated landscapes that are freer in execution, and more open. While the paint remains thin and the palette is restricted, Michael’s fire 2017 includes, in the foreground, a horizontal band of blue with a lip of luscious thickness. In the distant fire on the horizon, multiple plumes of smoke darken the sky evocatively, highlighting the drama of this landscape, its emotional resonance, and its historical change.
Tweedie has been working as an artist full time since 2013. Recent career highlights include being a finalist in the 65th Blake Prize (2018) and undertaking a residency in Glaziers Bay, Tasmania (2018). He was also the inaugural winner of the 2016 Tony Fini Foundation Artist Prize at the Art Gallery of Western Australia’s Black Swan Prize, and has been a finalist in the Newcastle Art Gallery’s Kilgour Prize (2014, 2017, 2018).Download CV - pdf