Drew Connor Holland - Jan Murphy Gallery

Jan Murphy Gallery

Portrait (visible damage)

Portrait (visible damage)

synthetic polymer, marble dust, pigment chalk and charcoal on canvas

Clipping the wings from the back of an angel (you do not need to have your body on the earth to feel your skin on mine)

Clipping the wings from the back of an angel (you do not need to have your body on the earth to feel your skin on mine)

Solvent transfer on handmade paper: perforated paper negatives left over from production of remembrance poppies (Cornelia Parker, War room, 2019), monotype prints, watercolour paintings (Drew Connor Holland, 2013-15), works on paper (Flin Sharp, 2016-19), rag paper, tissues, Christmas Cards, shredded medical documents, room sheets, posters, packaging, diary pages, human hair

121.0 x 89.0 cm

A sun, a moon; crow’s feet; grieving the loss of harmony

A sun, a moon; crow’s feet; grieving the loss of harmony

Solvent transfer on handmade paper: folio covers, shredded documents, leopard print blouse, wrappers, performance art detritus, magazines, drawings, tape, wigs, string, human hair, white denim, my Grandfather’s quilt covers, six pack cartons, letters, books, junk mail, rice glue, kozo paper

121.0 x 89.0 cm

Waiting for every moment to go away // I keep listening to old voices // the end of something // December

Waiting for every moment to go away // I keep listening to old voices // the end of something // December

Solvent transfer on handmade paper: perforated paper negatives left over from production of remembrance poppies (Cornelia Parker, War room, 2019), monotype prints, watercolour paintings (Drew Connor Holland, 2013-15), works on paper (Flin Sharp, 2016-19), rag paper, tissues, Christmas Cards, shredded medical documents, room sheets, posters, packaging, diary pages, human hair

121.0 x 89.0 cm

All of them lonely

All of them lonely

Synthetic polymer, marble dust, damar, watercolour, ink, gold leaf, archival varnish on birch panel |

Onﬁm

Synthetic polymer, marble dust, damar, watercolour, ink, pencil, gold leaf, archival varnish on birch panel

The paragraph ended

The paragraph ended

Synthetic polymer, marble dust, damar, watercolour, ink, archival varnish on birch panel

Everyone has a name

Everyone has a name

Synthetic polymer, marble dust, damar, watercolour, ink, gold leaf, archival varnish on birch panel

Reliquary (teeth)

Reliquary (teeth)

Synthetic polymer, marble dust, toner, paper, archival varnish on board

Apples

Synthetic polymer, marble dust, toner, paper, archival varnish on board

Corners

Synthetic polymer, marble dust, toner, paper, archival varnish on board

Blood visions

Synthetic polymer, marble dust, toner, paper, archival varnish on board

Portrait (life mask)

Portrait (life mask)

Synthetic polymer, marble dust, toner, paper, archival varnish on board

Another end of everything

Another end of everything

Synthetic polymer, marble dust, toner, paper, archival varnish on board

Kouros

Synthetic polymer, marble dust, toner, paper, archival varnish on board

(bolts)

Synthetic polymer, marble dust, toner, paper, archival varnish on board