24 March 2018
Robert Malherbe features in the group exhibition, Interiors, at Orange Regional Gallery. Curated by Gavin Wilson, Interiors investigates the idea that we are shaped by the spaces around us. The exhibition includes work by a select group of modernist and contemporary artists, including Brett Whiteley, Margaret Olley, Cressida Campbell, Grace Cossington…
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8 March 2018
Artwork by James Guppy has been reproduced for a large-scale projection on the front of Australian Parliament House in Canberra. Presented as part of the Enlighten Festival, the projection of Guppy’s Red Poppy, 2005 pays tribute to the centenary of the ANZAC’s in 2017 and the 100th anniversary of Armistice…
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8 March 2018
Guido Maestri’s upcoming solo exhibition, On Painting, has been featured in Art Guide Australia’s March/April issue in an article by Tracey Clement. The exhibition will commence from 27 March 2018. To read the article, please click here. Image credit: Guido Maestri, Pointillist self-portrait, 2018, oil on linen, 61.0…
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8 March 2018
Juz Kitson features in a collection exhibition at the Shepparton Art Museum. Intimate Realities: Recent Works from the SAM Collection features sculpture, video, photography, printmaking, painting and ceramics by leading contemporary artists and evokes the uncanny and surreal. Kitson’s work ‘It’s all embracing boundless-ness, no II’ 2015–2016 was first exhibited at…
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3 March 2018
Linde Ivimey features in a group exhibition at the Museum of Australian Democracy at Old Parliament House in Canberra. The Gift: Art, Artefacts, and Arrivals explores the notion of migration as a gift, both to those seeking a new home, and to the accepting nation. The four exhibiting contemporary artists,…
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24 February 2018
Artist Lucy Culliton has been honoured with a survey exhibition at the New England Regional Art Museum (NERAM) in Armidale NSW. Caution Wet Paint sees 30 years of Culliton’s career on display, ranging from her early drawings through to more recent large-scale oil paintings. Caution Wet…
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24 February 2018
Juz Kitson features in Chaos and Order, 120 years of collecting at RMIT, a survey exhibition of the RMIT Art Collection curated by Jon Buckingham, Collections Coordinator at RMIT Gallery. Exploring the contradictions inherent in public art collections this survey embraces the challenges faced in acquiring works adhering to strict…
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20 February 2018
We are excited to announce the launch of the Protégé Page on our website. Protégé extends representation to a selected number of young and emerging artists on the basis of their achievements and the potential in their developing practices. The Protégé list is fluid, so please visit…
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17 February 2018
Michael Muir is a finalist in the Muswellbrook Art Prize 2018 for his work ‘Hidden in the summer’ 2018. This year’s prize will be judged by Tracey Cooper-Lavery, Gallery Director, HOTA Gallery. The Muswellbrook Art Prize offers a non-acquisitive $50,000 painting prize, which is awarded on the opening night, Saturday…
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9 February 2018
Monica Rohan and Rhys Lee feature in Art Collector’s ’50 Things Collectors Need to Know 2018’ issue (Jan-Mar). The inaugural issue for 2018 also features Jan Murphy Gallery in an article about promoting art online. For more information, please click here. Image…
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9 February 2018
Ben Quilty features in group exhibition, All We Can’t See: Illustrating the Nauru Files, at Yellow House Sydney. Focused on the Nauru Files published by The Guardian in August 2016, which leaked incident reports by staff of Nauru’s detention centres occurring between 2013–15, the exhibition sees 30 of Australia’s leading…
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7 February 2018
Verso is a curated online platform that publishes texts from contemporary artists, writers and curators. Having recently completed a three-month residency at NARS Foundation in New York in late 2017, Martin Smith’s series of written reflections and photographs have been published online by Verso. These reflections offer a fantastic insight…
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5 February 2018
Juz Kitson is a finalist for the Tom Bass Prize for Figurative Sculpture 2018 with her work, ‘Flesh tones of carnation. The continuum of life’ 2017. The 2018 finalists for the biennial prize will be judged by Dr Felicity Fenner, Director of UNSW Galleries and faculty member of UNSW School of…
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3 February 2018
We are delighted to welcome Fred Fowler to the gallery and look forward to working with him in the future. Fred Fowler’s distinctive paintings are landscapes – physical, cultural or psychological – that expose the hidden and imaginary, described as wormholes or portals to alternative realities. He uses abstraction to…
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15 December 2017
We are delighted to welcome Adam Pyett to the gallery and look forward to working with him in the future. There is a tough structure and playful approach to still life that underpins Adam Pyett’s paintings. An early interest in abstraction remains evident across his now recognisable subject…
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